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1 " This river is famed in atrocious song and verse; the most prevalent motif is one which attempts to make of the river an ersatz father figure. Actually, the Mississippi River is a treacherous and sinister body of water whose eddies and currents yearly claim many lives. I have never known anyone who would even venture to stick his toe in its polluted waters, which seethe with sewage, industrial waste, and deadly insecticides. Even the fish are dying. Therefore, the Mississippi as Father-God-Moses-Daddy-Phallus-Pops is an altogether false motif began, I would imagine, by that dreary fraud, Mark Twain. This failure to make contact with reality is, however, characteristic of almost all of America’s “art.” Any connection between American art and American nature is purely coincidental, but this is only because the nation as a whole has no contact with reality. That is only one of the reasons why I have always been forced to exist on the fringes of its society, consigned to the Limbo reserved for this who do know reality when they see it. "
― John Kennedy Toole , A Confederacy of Dunces
2 " You can be sunk low or as a skunk and still have a joy in your heart. Joy lives like one of those spinning things---a gyroscope in your heart. It doesn't seem to have any connection to circumstance, good or bad. "
― Polly Horvath , Everything on a Waffle (Coal Harbour #1)
3 " To be fair to them, they were only after something that walled them off from the past and from people in general, not something that offered any connection that might prove painful or human. Thet wanted stories, I came to realise, in which they were already imprisoned, not stories in which they appeared along with the storyteller, accomplices in escaping. "
― Richard Flanagan , Gould's Book of Fish: A Novel in Twelve Fish
4 " Out in the field, any connection with home just makes you weaker. It reminds you that you were once civilized, soft; and that can get you killed faster than a bullet through the head. "
― Henry Mosquera , Sleeper's Run
5 " He recounted how, after the last of Charlemagne's forty-seven victorious campaigns, when he was returning from Saxony, a comet flashed across the sky and the Emperor's horse shied and threw him to the ground. The great Frankish Emperor had fallen so violently that his sword belt had been torn off him and the Spear, which he was clasping in his left hand, had been hurled some twenty feet away from him. At the same time there were earth tremors in the Royal Palace at Aachen, and the word " Princeps" had mysteriously faded from the red ochre inscription high up on a central beam in the Cathedral, which had formerly read 'Karolus Princeps.' Charlemagne himself had taken little notice of these portents, which his courtiers had taken to be a prophecy of his imminent death. In Einhard's own words: 'He refused to admit that any of these events could have any connection ith his own personal affairs.' Yet the 70-year-old Emperor drew up his last will and testament just in case these portents were correct. And they were! "
6 " You'll find that great artists don't love, live, fuck or even die like ordinary people. Because they always have their art. It nourishes them more than any connection to people. Whatever human tragedy befalls them, they're never too gutted, because they need only to pour the tragedy into their vat, stir in the other lurid ingredients, blast it over a fire. What emerges will be even more magnificent than if the tragedy had never occurred. "
― Marisha Pessl , Night Film
