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" Baudrillard’s positioning of the first stage of simulation during the Renaissance: by reproducing appearances accurately, not only does the perspective window initiate the indefinite manipulation of the environment, but also the predominance of vision in the West. Now understood as a geometrical calculus of distances and proportions, space is born, a theatrical ambience where life unfolds according, and thanks to, the distance separating the viewer from the stage. ... On the other hand, no understanding of reality is possible in the absence of a gap distancing the subject from a world within which s/he used to feel completely merged and subjugated (Descartes, [1637] 2006); just as no understanding of the self is to the same extent possible in the absence of a gap distancing the subject from its own image in the looking glass (Lacan, [1936] 2006). An effect of representation, the perception of reality and individuality both owe to the perspective window their initiation and realization. "

, Baudrillard for Architects


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 quote : Baudrillard’s positioning of the first stage of simulation during the Renaissance: by reproducing appearances accurately, not only does the perspective window initiate the indefinite manipulation of the environment, but also the predominance of vision in the West. Now understood as a geometrical calculus of distances and proportions, space is born, a theatrical ambience where life unfolds according, and thanks to, the distance separating the viewer from the stage. ... On the other hand, no understanding of reality is possible in the absence of a gap distancing the subject from a world within which s/he used to feel completely merged and subjugated (Descartes, [1637] 2006); just as no understanding of the self is to the same extent possible in the absence of a gap distancing the subject from its own image in the looking glass (Lacan, [1936] 2006). An effect of representation, the perception of reality and individuality both owe to the perspective window their initiation and realization.