" Mahler was a poor yea-sayer. His voice cracks, like Nietzsche’s, when he proclaims values, speaks from mere conviction, when he himself puts into practice the abhorrent notion of overcoming on which the thematic analyses capitalise, and makes music as if joy were already in the world. His vainly jubilant movements unmask jubilation; his subjective incapacity for the happy end denounces itself. "
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