" Most visibly and politically effectual were the twelve large-scale photographs by Elisabeth Ohlson Wallin (b. 1961) forming the exhibition Ecce Homo (1998). The photographs depict classical situations in the life of Christ, but they are staged in contemporary settings with obviously gay and lesbian models – naked, in leather gear, transvestites, HIV-positive, etc... "

― , Swedish Art History : A Selection of Introductory Texts