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" Leave the train!”
More soldiers meet Fez and his loyal companion, “This way,” one shouts, “step into the circle!” Fez glances down, at a large circle scribed into the ground, and walks into the centre with Gnash skittering in behind him, at which point he addresses the soldiers.
“Did you know the philosopher Gurdjieff wrote about his encounters with the Yezidis—how he once saw a Yezidi boy distraught, struggling to break out of a circle drawn in the ground by other boys. Try as he might the boy just couldn’t step outside of the circle. The other boys teased and taunted him until Gurdjieff erased part of the circle, whereby the boy was able to escape. Perhaps the philosopher wants us to think carefully about the Yezidis—perhaps you should think carefully about me.” Out of the floor a circular glass wall made of toughened glass shoots up, stopping at a circular lip in the ceiling, trapping them like a ship in a bottle. “A prison—how quaint, never been in a prison before. When do I get my medication?” No one answers, but Fez spies a security camera in the ceiling and stares into its lens. “You think that I think you can’t hear me, but I know that you don’t know I can.”
“What’s he on about?” one of the operators asks in the control room.
“Something about us hearing him. "

J.L. Haynes , Zara Hanson & The Mystery of the Painted Symbol


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J.L.  Haynes quote : Leave the train!”<br />More soldiers meet Fez and his loyal companion, “This way,” one shouts, “step into the circle!” Fez glances down, at a large circle scribed into the ground, and walks into the centre with Gnash skittering in behind him, at which point he addresses the soldiers.<br />“Did you know the philosopher Gurdjieff wrote about his encounters with the Yezidis—how he once saw a Yezidi boy distraught, struggling to break out of a circle drawn in the ground by other boys. Try as he might the boy just couldn’t step outside of the circle. The other boys teased and taunted him until Gurdjieff erased part of the circle, whereby the boy was able to escape. Perhaps the philosopher wants us to think carefully about the Yezidis—perhaps you should think carefully about me.” Out of the floor a circular glass wall made of toughened glass shoots up, stopping at a circular lip in the ceiling, trapping them like a ship in a bottle. “A prison—how quaint, never been in a prison before. When do I get my medication?” No one answers, but Fez spies a security camera in the ceiling and stares into its lens. “You think that I think you can’t hear me, but I know that you don’t know I can.”<br />“What’s he on about?” one of the operators asks in the control room.<br />“Something about us hearing him.