" The professor's voice was amplified with her mike. 'In the nineteenth century... artists were compelled by the idea of the sublime, which was the most elevated expression of the harmony between nature and man. By contemplating nature, a figure like this one on the mountaintop would be inspired with reverence for the majesty of what God created--both humbled by it and also elevated by it because he, as a witness and an observer, had a privileged relation to all of creation--both of it and standing outside it to contemplate it. It was through contemplating nature that one would gain this experience of the sublime, so you tend to find in pictures from this time--' Slide changed. '--this theme repeated: the untamed and overwhelming power and beauty of nature, and the witness to it, somewhere in the painting, a stand-in for the viewer and the painter.... "

― Sheila Heti , How Should a Person Be?