" The woman was in her middle twenties and she wore a sort of tennis dress that shouted Money almost as loudly as the car did, sleeveless and V neck, of a semi-transparent material, chiffon or crêpe-de-Chine or maybe georgette, which allowed the pink of her nipples to show through. She not only wore no brassiere, she obviously wore no undergarment of any description. There was nothing of modesty about her. Not that she was flaunting herself; that was what was so outlandish about it (for this was the late Twenties; plenty of women were dressing almost as scantily); she appeared not even to know the watchers were there. Her hair was brown with streaks of sunburnt yellow, bobbed just a little longer than ponjola, and her skin was tanned to the smooth, soft tint of café au lait. She moved slowly, after the manner of the inherently lazy, not so much as if she had no energy, but as if she were conserving it for something she really cared about—bed, most men would say, for there was a strong suggestion of such about her, like an aura. Her mouth was lipsticked savagely, no prim cupid’s bow, and there was a faint saddle of freckles across the bridge of her nose. She "

― Shelby Foote , Love in a Dry Season