QUOTE : I would put How Green Was My Valley in the same class as Uncle Tom’s Cabin: a work that leaves an ineradicable “scratch on the mind,” to borrow Harold Isaacs’s useful phrase. There was another element as well. At a certain point, on some springy-turfed Welsh hillside far above the scenes of alienation and exploitation that lay below, young Huw contrived to part with his irksome virginity. Richard Llewellyn handled this transition with very slightly too much quasi-poetic euphemism, his crucial error being (to my fevered imagining) the idea that the inflamed heat of young manhood could be assuaged only by the relative “coolness” of a feminine interior. One had had a vague hope that the ardency would be appeased by an even greater heat, rather than sizzled like a red-hot horseshoe dipped in water, but at this stage I would have been willing to settle for anything that offered incandescence in either direction.