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" CHAPTER 9 THE FARM NEAR HARPERS FERRY WEST VIRGINIA U.S.A. ONCE again, Mitch Rapp found himself standing in front of the cell holding Louis-Philippe Gould. And once again, Stan Hurley was watching. “Want me to hold on to your gun?” It was a noticeable change in his friend’s attitude. A few days ago, he’d have paid money to walk in there and execute the Frenchman. Now they needed him. Hurley perhaps more than anyone. “Turn off the cameras, Stan.” “Irene was pretty specific about that. She says they stay on.” “Don’t make me repeat myself, old man.” Hurley swore under his breath and took a seat in front of a computer terminal at the end of the corridor. He wasn’t exactly from the digital era, and it took him a few moments with the mouse to find the right application. Finally, he turned back to Rapp. “I’ve still got the image, but it’s not recording. You need to leave him alive, Mitch. But if you can’t, do it close range and sloppy. That way we can tell Irene he went for your gun.” Rapp reached for the door, trying to shut off his emotions as it swung open. This wasn’t about him or his past. It was about his job and "

Vince Flynn , The Survivor (Mitch Rapp, #14)


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Vince Flynn quote : CHAPTER 9 THE FARM NEAR HARPERS FERRY WEST VIRGINIA U.S.A. ONCE again, Mitch Rapp found himself standing in front of the cell holding Louis-Philippe Gould. And once again, Stan Hurley was watching. “Want me to hold on to your gun?” It was a noticeable change in his friend’s attitude. A few days ago, he’d have paid money to walk in there and execute the Frenchman. Now they needed him. Hurley perhaps more than anyone. “Turn off the cameras, Stan.” “Irene was pretty specific about that. She says they stay on.” “Don’t make me repeat myself, old man.” Hurley swore under his breath and took a seat in front of a computer terminal at the end of the corridor. He wasn’t exactly from the digital era, and it took him a few moments with the mouse to find the right application. Finally, he turned back to Rapp. “I’ve still got the image, but it’s not recording. You need to leave him alive, Mitch. But if you can’t, do it close range and sloppy. That way we can tell Irene he went for your gun.” Rapp reached for the door, trying to shut off his emotions as it swung open. This wasn’t about him or his past. It was about his job and