" Finally, in chapter 5, we turn toward the art of the sermon, exploring ways in which an enhanced emphasis upon contextuality in preaching can also contribute to sermons that are more fitting for local congregations in regard to their language, illustrations, and form. Here preaching is likened to folk art-more particularly to a circular folk dance-in which the preacher stays close to the ground of the hearers, enfleshing the sermon in language, rhythms, and forms that encourage local hearers to want to put on their own dancing shoes and join in the dance of faith. "

― , Preaching as Local Theology and Folk Art