" And what of that person, her most beautiful boy? He opened his eyes each morning , and the first word from his mouth was Mama. He needed to be lifted from bed, for he was so tiny and so sleepy, then dressed, fed, bathed, played with, sung to, tickled, swung high in the air, chased. He needed her to watch me, Mama, nearly every second of his waking life. Sometimes he took his soft little hand and put it on her face, moved her head to where he wanted her to look. And it was in this gesture she saw and entire impending future, one in which all things of this world revolved around this boy: when she woke and when she slept, where they went and what they bought, the very direction of his mother’s gaze. If she was not careful, he would come to know the world as a place that bent to his every whim, for she did indeed want to bend, because she loved him, but in the hardest moments- the moments in which, for instance, she held the limp body of the cat in her bloody hands- she grew resentful of this innocent little soul, whose life would be one of ease, one of knowing that he was taken care of and could have whatever her wanted, that the world was in a very real way his. She didn’t want to deny him things, to make his life harder, but already she felt this pull inside her, to make him responsible in a fundamental way, to tell him no and no and no, and, sure, she was trying to train him against what the entire world told him, was trying to say, Look, I am not all yours, I am not only here for you, but of course, ultimately, she was his, all of her. "
― Rachel Yoder , Nightbitch