" Dickey on Capote

This small childlike individual, this self-styled, self-made, self-taught country boy—what did he teach himself? To concentrate: to close out, and close in: to close with. His writing came, first, from a great and very real interest in many things and people, and then from a peculiar frozen detachment that he practiced as one might practice the piano, or a foot position in ballet. Cultivated in this manner, his powers of absorption in a subject became very nearly absolute, and his memory was already remarkable, particularly in its re-creation of small details. He possessed to an unusual degree this ability to encapsulate himself with his subject, whatever or whoever it might be, so that nothing else existed except him and the other; and then he, himself, would begin to fade away and words would appear in his place: words concerning the subject, as though it were dictating itself. "

― James Dickey