" Before the war, a Parisian woman could not vote, work, or even open a checking account without her husband’s say so. To humiliate her now, propaganda posters fed the lie that she and her children had been abandoned in the necessities of life by the French men who’d run off to play savior by fighting a war they couldn’t possibly win. Now it was only the German soldier who could save her. It was not by a blitzkrieg that Hitler sought to take over. It was by a prolonged methodical effort to win the ravaged minds of the women left behind and to appropriate all that was distinctly Parisian - the arts, Haute couture, the very spirit of the French people - and repurpose it to become a higher form of the German ideal. In all of this flowed the callus and crafty undercurrent of fear. "

― Kristy Cambron , The Paris Dressmaker