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" The sun is gone; the topaz-light is gone; and Cha stops to light his lantern of paper; and we hurry on again, between two long lines of painted paper lanterns suspended before the shops: so closely set, so level those lines are, that they seem two interminable strings of pearls of fire. And suddenly a sound — solemn, profound, mighty — peals to my ears over the roofs of the town, the voice of the tsurigane, the great temple-bell of Nogiyama. All too short the day seemed. Yet my eyes have been so long dazzled by the great white light, and so confused by the sorcery of that interminable maze of mysterious signs which made each street vista seem a glimpse into some enormous grimoire, that they are now weary even of the soft glowing of all these paper lanterns, likewise covered with characters that look like texts from a Book of Magic. And I feel at last the coming of that drowsiness which always follows enchantment. "

Lafcadio Hearn , Complete Works of Lafcadio Hearn


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Lafcadio Hearn quote : The sun is gone; the topaz-light is gone; and Cha stops to light his lantern of paper; and we hurry on again, between two long lines of painted paper lanterns suspended before the shops: so closely set, so level those lines are, that they seem two interminable strings of pearls of fire. And suddenly a sound — solemn, profound, mighty — peals to my ears over the roofs of the town, the voice of the tsurigane, the great temple-bell of Nogiyama. All too short the day seemed. Yet my eyes have been so long dazzled by the great white light, and so confused by the sorcery of that interminable maze of mysterious signs which made each street vista seem a glimpse into some enormous grimoire, that they are now weary even of the soft glowing of all these paper lanterns, likewise covered with characters that look like texts from a Book of Magic. And I feel at last the coming of that drowsiness which always follows enchantment.