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" Vampirism is the key to my relationships with others, the only mechanism that allows me to interact. Of course, this is a metaphor. Vampires, as such, do not exist, they are merely a hook on which to hang all manner of shameful parasitisms that need metaphor to come to terms with themselves. The shape that metaphor takes in me is special, as I said. What I need which I suck from the other is neither money, nor security, nor admiration, nor, in professional terms, subject matter or stories. It is style. I have discovered that every human being, every living being in reality, in addition to everything he has to show for himself by way of material and spiritual possessions, has a style he uses to manage those possessions. And I have learned to detect it and appropriate it. Which has important consequences for my relationships, at least for those I have established since I turned forty: they are temporary, they begin and end, and they are quite fleeting, more and more fleeting as I become increasingly skilled at capturing another’s personal style. Any other kind of vampirism could lead to permanent relationships; for example, if I extracted money or attention from my victim, the other’s reserves would likely become infinite. Even if I were looking for stories, a single subject could supply me indefinitely. But not style. It has a mechanism that gets worn out in the interpersonal transfer. Once in action, I watch my victim quickly dry up, wilted and vacant, and I lose all interest. Then I move on to the next one. "

César Aira


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César Aira quote : Vampirism is the key to my relationships with others, the only mechanism that allows me to interact. Of course, this is a metaphor. Vampires, as such, do not exist, they are merely a hook on which to hang all manner of shameful parasitisms that need metaphor to come to terms with themselves. The shape that metaphor takes in me is special, as I said. What I need which I suck from the other is neither money, nor security, nor admiration, nor, in professional terms, subject matter or stories. It is style. I have discovered that every human being, every living being in reality, in addition to everything he has to show for himself by way of material and spiritual possessions, has a style he uses to manage those possessions. And I have learned to detect it and appropriate it. Which has important consequences for my relationships, at least for those I have established since I turned forty: they are temporary, they begin and end, and they are quite fleeting, more and more fleeting as I become increasingly skilled at capturing another’s personal style. Any other kind of vampirism could lead to permanent relationships; for example, if I extracted money or attention from my victim, the other’s reserves would likely become infinite. Even if I were looking for stories, a single subject could supply me indefinitely. But not style. It has a mechanism that gets worn out in the interpersonal transfer. Once in action, I watch my victim quickly dry up, wilted and vacant, and I lose all interest. Then I move on to the next one.