" Are you one of those people who thinks hip-hop belongs to Black people?” I ask. “Of course it does.” He smooths the humor from his expression. “We made it. It’s ours in the same way jazz and the blues and R&B are ours. We innovated, making sound where there was no sound before. The very roots of hip-hop are in West Africa from centuries ago. But we share our shit all the time, so you’re welcome.” I lift a brow at his ethno-arrogance, but he throws his head back laughing at me, maybe at himself. “Art, specifically music, is a living thing,” he says. “It isn’t just absorbed by the people who hear it, but it absorbs them. So, we shared hip-hop with the world, and it isn’t just ours anymore. The Beastie Boys heard it. Eminem heard it. Whoever heard it fell in love with it, added to it, and became a part of it.” “And that’s a good thing?” “Mostly. If that hadn’t happened, if we hadn’t shared it and someone other than us loved it, it’d still be niche. Underground. Now it’s global, but that wouldn’t have happened if it hadn’t gone main- stream. Mainstream means more opportunities, so I’m all for white, Asian, Hispanic. We need everybody buying hip-hop, because ultimately, it’s about that green. "
― Kennedy Ryan , Grip Trilogy Box Set (Grip, #0.5-2)