QUOTE : Offline, there are forms of relief built into this process. Audiences change over—the performance you stage at a job interview is different from the one you stage at a restaurant later for a friend’s birthday, which is different from the one you stage for a partner at home. At home, you might feel as if you could stop performing altogether; within Goffman’s dramaturgical framework, you might feel as if you had made it backstage. Goffman observed that we need both an audience to witness our performances as well as a backstage area where we can relax, often in the company of “teammates” who had been performing alongside us. Think of coworkers at the bar after they’ve delivered a big sales pitch, or a bride and groom in their hotel room after the wedding reception: everyone may still be performing, but they feel at ease, unguarded, alone. Ideally, the outside audience has believed the prior performance.