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" Since Alexander came back, Tatiana had become fixated on his hands, and on her own by contrast. His hands were like the platter on which he carried his life. They were large and broad, dark and square, with heavy palms and heavy thumbs, but with long thick flexible fingers—as if he could play the piano as well as haul lobster trawls. They were knuckled and veined, and the palms were calloused. Everything was calloused, even the fingertips, roughened by carrying heavy weapons over thousands of miles, hardened by fighting, burning, logging, burying men. His hands reflected all manner of eternal struggles. You didn’t need to be a soothsayer, or a psychic or a palmreader, you needed not a single glance at the lines in the palms but just one cursory look at the hands and you knew instantly: the man they belonged to had done everything—and was capable of anything. And then take Tatiana and her own square hands. Among other things, her hands had worked in a weapons factory, they had made bombs and tanks and flamethrowers, worked the fields, mopped floors, dug holes in snow and in the ground. They had pulled sleds along the ice. They had taken care of dead men, of wounded men, of dying men; her hands had known life, and strife—yet they looked like they soaked in milk all day. They were tiny, unblemished, uncalloused, unknuckled, unveined, palms light, fingers slender. She was embarrassed by them— they were soft and delicate like a child’s hands. One would conclude that her hands had never done a day’s work in their life—and couldn’t! "

Paullina Simons , The Summer Garden (The Bronze Horseman, #3)


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Paullina Simons quote : Since Alexander came back, Tatiana had become fixated on his hands, and on her own by contrast. His hands were like the platter on which he carried his life. They were large and broad, dark and square, with heavy palms and heavy thumbs, but with long thick flexible fingers—as if he could play the piano as well as haul lobster trawls. They were knuckled and veined, and the palms were calloused. Everything was calloused, even the fingertips, roughened by carrying heavy weapons over thousands of miles, hardened by fighting, burning, logging, burying men. His hands reflected all manner of eternal struggles. You didn’t need to be a soothsayer, or a psychic or a palmreader, you needed not a single glance at the lines in the palms but just one cursory look at the hands and you knew instantly: the man they belonged to had done everything—and was capable of anything. And then take Tatiana and her own square hands. Among other things, her hands had worked in a weapons factory, they had made bombs and tanks and flamethrowers, worked the fields, mopped floors, dug holes in snow and in the ground. They had pulled sleds along the ice. They had taken care of dead men, of wounded men, of dying men; her hands had known life, and strife—yet they looked like they soaked in milk all day. They were tiny, unblemished, uncalloused, unknuckled, unveined, palms light, fingers slender. She was embarrassed by them— they were soft and delicate like a child’s hands. One would conclude that her hands had never done a day’s work in their life—and couldn’t!