" The Chet Baker CD had finished, and Banks’s glass was empty. He wandered into the kitchen and refilled it, then went into the entertainment room again, where he programmed the system to play “Après un rêve” from the hoard of music on his computer. He had a vocal version by Véronique Gens, but he chose the violin version by Nicola Benedetti, whose poster Adrienne had on her wall. He added her Thaïs “Meditation” to the mini playlist, too, and stuck on Vaughan Williams’s “The Lark Ascending” and Arvo Pärt’s “Spiegel im Spiegel” just because he liked them so much. Those "

― Peter Robinson , Careless Love (Inspector Banks, #25)