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" I take it as no small gesture of solidarity and, more to the point, love, or, even more to the point, tenderness, when the brother working as a flight attendant—maybe about fifty, the beginning of gray in his fade, his American Airlines vest snug on his sturdily built torso—walking backward in front of the cart, after putting my seltzer on my tray table, said, “There you go, man,” and tapped my arm twice, tap tap. Oh let me never cease extolling the virtues, and my adoration of, the warranted familiarity—you see family in that word, don’t you, family?—expressed by a look or tone of voice, or, today on this airplane between Indianapolis and Charlotte (those are real places, lest we forget), a tap—two, tap tap—on the triceps. By which, it’s really a kind of miracle, was expressed a social and bodily intimacy—on this airplane, at this moment in history, our particular bodies, making the social contract of mostly not touching each other irrelevant, or, rather, writing a brief addendum that acknowledges the official American policy, which is a kind of de facto and terrible touching of some of us, or trying to, always figuring out ways to keep touching us—and this flight attendant, tap tap, reminding me, like that, simply, remember, tap tap, how else we might be touched, and are, there you go, man. "

Ross Gay , The Book of Delights


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Ross Gay quote : I take it as no small gesture of solidarity and, more to the point, love, or, even more to the point, tenderness, when the brother working as a flight attendant—maybe about fifty, the beginning of gray in his fade, his American Airlines vest snug on his sturdily built torso—walking backward in front of the cart, after putting my seltzer on my tray table, said, “There you go, man,” and tapped my arm twice, tap tap. Oh let me never cease extolling the virtues, and my adoration of, the warranted familiarity—you see family in that word, don’t you, family?—expressed by a look or tone of voice, or, today on this airplane between Indianapolis and Charlotte (those are real places, lest we forget), a tap—two, tap tap—on the triceps. By which, it’s really a kind of miracle, was expressed a social and bodily intimacy—on this airplane, at this moment in history, our particular bodies, making the social contract of mostly not touching each other irrelevant, or, rather, writing a brief addendum that acknowledges the official American policy, which is a kind of de facto and terrible touching of some of us, or trying to, always figuring out ways to keep touching us—and this flight attendant, tap tap, reminding me, like that, simply, remember, tap tap, how else we might be touched, and are, there you go, man.