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" THE SCHOOL FOR Wives criticised was first brought out at the theatre of the Palais Royal, on the 1st of June, 1663. It can scarcely be called a play, for it is entirely destitute of action. It is simply a reported conversation of “friends in council; but we cannot be surprised that it had a temporary success on the stage. It was acted as a pendant to The School for Wives, and the two were played together, with much profit to the company, thirty-two consecutive times. Molière, in the Preface to The School for Wives, mentions that the idea of writing The School for Wives criticised was suggested to him by a person of quality, who, it is said, was the Abbé Dubuisson, the grand introducteur des ruelles or, in other words, the Master of the Ceremonies to the Précieuses. Our author had also just been inscribed on the list of pensions which Louis XIV. allowed to eminent literary men, for a sum of a thousand livres. "

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Molière quote : THE SCHOOL FOR Wives criticised was first brought out at the theatre of the Palais Royal, on the 1st of June, 1663. It can scarcely be called a play, for it is entirely destitute of action. It is simply a reported conversation of “friends in council; but we cannot be surprised that it had a temporary success on the stage. It was acted as a pendant to The School for Wives, and the two were played together, with much profit to the company, thirty-two consecutive times. Molière, in the Preface to The School for Wives, mentions that the idea of writing The School for Wives criticised was suggested to him by a person of quality, who, it is said, was the Abbé Dubuisson, the grand introducteur des ruelles or, in other words, the Master of the Ceremonies to the Précieuses. Our author had also just been inscribed on the list of pensions which Louis XIV. allowed to eminent literary men, for a sum of a thousand livres.