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" A donkey?” the poor man wailed. “What do I want with a donkey? I cannot even feed a donkey.” “No matter,” replied the donkey. “Reach into my left ear.” The poor man, though shocked that the donkey could talk, nonetheless reached into the donkey’s ear and pulled out a sack of feed. “Well, now,” the poor man said. “That’s a mighty handy ear. I wish it had food for me as well.” “Reach into my right ear,” the donkey said. And so the poor man reached into the donkey’s right ear and pulled out a loaf of bread, a pot of butter, and a meat pie. Joe went on like this, spinning out the tale, with the poor man pulling all sorts of things out of the donkey’s ears: a stool, a pillow, a blanket, and, finally, a sack of gold. I loved this story, but I always listened uneasily, fearing that something bad would be pulled from the donkey’s ears. Even after I’d heard the tale many times, always the same, I still worried that the poor man might reach in and pull out a snapping turtle or an alligator or something equally unpleasant and unexpected. Sensing my fear, Joe would say, “It’s only a story, Naomi, only a story.” He suggested that I say to myself, “I’m not in the story, I’m not in the story”—a refrain I could repeat so that I would feel less anxious. And so each time the poor man would reach into the donkey’s ears, I would tell myself, I’m not in the story, I’m not in the story, but it didn’t help because a story was only interesting if I was in the story. "

Sharon Creech , The Great Unexpected


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Sharon Creech quote : A donkey?” the poor man wailed. “What do I want with a donkey? I cannot even feed a donkey.” “No matter,” replied the donkey. “Reach into my left ear.” The poor man, though shocked that the donkey could talk, nonetheless reached into the donkey’s ear and pulled out a sack of feed. “Well, now,” the poor man said. “That’s a mighty handy ear. I wish it had food for me as well.” “Reach into my right ear,” the donkey said. And so the poor man reached into the donkey’s right ear and pulled out a loaf of bread, a pot of butter, and a meat pie. Joe went on like this, spinning out the tale, with the poor man pulling all sorts of things out of the donkey’s ears: a stool, a pillow, a blanket, and, finally, a sack of gold. I loved this story, but I always listened uneasily, fearing that something bad would be pulled from the donkey’s ears. Even after I’d heard the tale many times, always the same, I still worried that the poor man might reach in and pull out a snapping turtle or an alligator or something equally unpleasant and unexpected. Sensing my fear, Joe would say, “It’s only a story, Naomi, only a story.” He suggested that I say to myself, “I’m not in the story, I’m not in the story”—a refrain I could repeat so that I would feel less anxious. And so each time the poor man would reach into the donkey’s ears, I would tell myself, I’m not in the story, I’m not in the story, but it didn’t help because a story was only interesting if I was in the story.