" Describing music is tricky. I’m not convinced that you can describe it like, say, a painting or a novel. While those are both experiences that produce feelings, they do so through the window of the eyes. The image we see—either images or words on a page—enters our eyes, travels through our intellect, where we make some sort of sense of it, and then routes through our emotions. The process is one of intellect and understanding first, emotions and feelings second. In my experience, music doesn’t work that way. Music enters us through the ears, where it makes a beeline to the grid of our emotions. Then it routes through to our intellect where we might “make some sense” of it. Music is felt on one level, and understood or processed on another. This doesn’t mean you can’t use your intellect to describe it . . . but I question whether the words we use can really do the job. It’s like describing the smell of the number 9. Music is meant to be experienced, not described. "
― Charles Martin , Long Way Gone