QUOTE : I have frequently shown this sequence at my seminars and people all see a great deal of lechery, or lusty appreciation, or male chauvinism, or some erotic response in every male face. Since the heel clicks function to “sell” us this kind of response, I take Orson’s “everything was a fake” rather literally here. I imagine that not one single male in that sequence ever saw Oja Kodor. They all, probably, registered such emotions or thoughts as Two weeks to tax day and I don’t have the money yet — Where in hell did I leave that toothbrush? — I think I’ll use a line from Moliere to open my lecture — About time to stop and have some coffee etc.