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" Others he never could persuade; his attempts to do so angered them, producing a flood of vituperation and acrimonious mockery. A witty Italian summed it up in a burlesque interview with Picasso, who is here supposed to be speaking: “In art, the mass of people no longer seek consolation and exaltation … but whatever is new, odd, original, extravagant, or scandalous. I myself, since Cubism and even before, have satisfied these masters and critics with whatever bizarre extravagances passed through my head, and the less they understood the more they admired me. By amusing myself with all these games, rebuses, and arabesques I became famous, famous very quickly. And for a painter fame means selling, making money, making a fortune, growing wealthy. So today, as you know, I am famous and I am rich. But when I am quite alone I have not the courage to think of myself as an artist in the ancient, splendid sense of the word. Giotto and Titian, Rembrandt and Goya, were true painters; I am only a public entertainer who has understood his times and to the utmost of his powers has exploited the silliness, the vanity, and the stupidity of his contemporaries. Mine is a bitter confession, more painful than it may seem; but it has the merit of being sincere. "

Patrick O'Brian , Picasso: A Biography


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Patrick O'Brian quote : Others he never could persuade; his attempts to do so angered them, producing a flood of vituperation and acrimonious mockery. A witty Italian summed it up in a burlesque interview with Picasso, who is here supposed to be speaking: “In art, the mass of people no longer seek consolation and exaltation … but whatever is new, odd, original, extravagant, or scandalous. I myself, since Cubism and even before, have satisfied these masters and critics with whatever bizarre extravagances passed through my head, and the less they understood the more they admired me. By amusing myself with all these games, rebuses, and arabesques I became famous, famous very quickly. And for a painter fame means selling, making money, making a fortune, growing wealthy. So today, as you know, I am famous and I am rich. But when I am quite alone I have not the courage to think of myself as an artist in the ancient, splendid sense of the word. Giotto and Titian, Rembrandt and Goya, were true painters; I am only a public entertainer who has understood his times and to the utmost of his powers has exploited the silliness, the vanity, and the stupidity of his contemporaries. Mine is a bitter confession, more painful than it may seem; but it has the merit of being sincere.