" But where the human form withdraws from photography, there for the first time display value gets the better of cultic value. And it is having set the scene for this process to occur that gives Atget, the man who captured so many deserted Parisian streets around 1900, his incomparable significance. Quite rightly it has been said of him that he recorded those streets like crime scenes. A crime scene, too, is deserted. Atget snaps clues. With Atget, photographs become exhibits in the trial that is history. "

― Walter Benjamin , The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media