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" At that hour of dawn Agilulf always needed to apply himself to some precise exercise: counting objects, arranging them in geometric patterns, resolving problems of arithmetic. It was the hour in which objects lose the consistency of shadow that accompanies them during the night and gradually reacquire colors, but seem to cross meanwhile an uncertain limbo, faintly touched, just breathed on by light; the hour in which one is least certain of the world's existence. He, Agilulf, always needed to feel himself facing things as if they were a massive wall against which he could pit the tension of his will, for only in this way did he manage to keep a sure consciousness of himself. But if the world around was instead melting into the vague and ambiguous, he would feel himself drowning in that morbid half light, incapable of allowing any clear thought or decision to flower in that void. In such moments he felt sick, faint; sometimes only at the cost of extreme effort did he feel himself able to avoid melting away completely. It was then he began to count: trees, leaves, stones, laces, pine cones, anything in front of him. Or he put them in rows and arranged them in squares and pyramids. Applying himself to this exact occupation helped him overcome his malaise, absorb his discontent and disquiet, reacquire his usual lucidity and composure. "

Italo Calvino , The Nonexistent Knight & The Cloven Viscount


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Italo Calvino quote : At that hour of dawn Agilulf always needed to apply himself to some precise exercise: counting objects, arranging them in geometric patterns, resolving problems of arithmetic. It was the hour in which objects lose the consistency of shadow that accompanies them during the night and gradually reacquire colors, but seem to cross meanwhile an uncertain limbo, faintly touched, just breathed on by light; the hour in which one is least certain of the world's existence. He, Agilulf, always needed to feel himself facing things as if they were a massive wall against which he could pit the tension of his will, for only in this way did he manage to keep a sure consciousness of himself. But if the world around was instead melting into the vague and ambiguous, he would feel himself drowning in that morbid half light, incapable of allowing any clear thought or decision to flower in that void. In such moments he felt sick, faint; sometimes only at the cost of extreme effort did he feel himself able to avoid melting away completely. It was then he began to count: trees, leaves, stones, laces, pine cones, anything in front of him. Or he put them in rows and arranged them in squares and pyramids. Applying himself to this exact occupation helped him overcome his malaise, absorb his discontent and disquiet, reacquire his usual lucidity and composure.