" On a dais in a London church, the Virgin Mary sits suprised by a rough crest of candlelight. The discomforture isn't in her expression but in the fluid form her carving takes, the way peaceful eyes rest in sockets that threaten to release them. Either the wood is eccentrically soft, or this sculpture remains a tree, alert
(despite careful varnishing and a wide, warning ring of sacred space around it)
to a propensity to burn. "

― Helen Oyeyemi , The Opposite House