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" So you walk along Bunker Hill, and you shake your fist at the sky, and I know what you're thinking, Bandini. The thoughts of your father before you, lash across your back, hot ire in your skull, that you are not to blame: this is your thought, that you were born poor, fled from your Colorado town because you are poor, hoping to write a book to get rich, because those who hated you back there in Colorado will not hate you if you write a book. You are a coward, Bandini, a traitor to your soul, a feeble liar before your weeping Christ. This is why you write, this is why it would be better if you died.
Yes, it's true: but I have seen houses in Bel-Air with cool lawns and green swimming pools. I have wanted women whose very shoes are worth all I have ever possessed. I have seen golf clubs on Sixth Street in the Spalding window that make me hungry just to grip them. I have grieved for a necktie like a holy man for indulgences. I have admired hats in Robinson's the way critics gasp at Michelangelo. "

John Fante , Ask the Dust (The Saga of Arturo Bandini, #3)


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John Fante quote : So you walk along Bunker Hill, and you shake your fist at the sky, and I know what you're thinking, Bandini. The thoughts of your father before you, lash across your back, hot ire in your skull, that you are not to blame: this is your thought, that you were born poor, fled from your Colorado town because you are poor, hoping to write a book to get rich, because those who hated you back there in Colorado will not hate you if you write a book. You are a coward, Bandini, a traitor to your soul, a feeble liar before your weeping Christ. This is why you write, this is why it would be better if you died.<br />Yes, it's true: but I have seen houses in Bel-Air with cool lawns and green swimming pools. I have wanted women whose very shoes are worth all I have ever possessed. I have seen golf clubs on Sixth Street in the Spalding window that make me hungry just to grip them. I have grieved for a necktie like a holy man for indulgences. I have admired hats in Robinson's the way critics gasp at Michelangelo.