" From these definitions the dependence of the naïve poet on the object is especially clear. His relation to the object has a compelling character, because he introjects the object—that is, he unconsciously identifies with it or has, as it were, an a priori identity with it. Lévy-Bruhl describes this relation to the object as participation mystique. This identity always derives from an analogy between the object and an unconscious content. One could also say that the identity comes about through the projection of an unconscious association by analogy with the object. An identity of this kind has a compelling character too, because it expresses a certain quantity of libido which, like all libido operating from the unconscious, is not at the disposal of consciousness and thus exercises a compulsion on its contents. The attitude of the naïve poet is, therefore, in a high degree conditioned by the object; the object operates independently in him, as it were; it fulfils itself in him because he himself is identical with it. He lends his expressive function to the object and represents it in a certain way, not in the least actively or intentionally, but because it represents itself that way in him. He is himself Nature: Nature creates in him the product. He “allows Nature unlimited sway in him.” Supremacy is given to the object. To this extent the naïve attitude is extraverted. "

― C.G. Jung , Psychological Types