" She was looking at the tier of geraniums as she spoke, and Stephen made no answer; but he was looking at her; and does not a supreme poet blend light and sound into one, calling darkness mute, and light eloquent? Something strangely powerful there was in the light of Stephen's long gaze, for it made Maggie's face turn toward it and look upward at it, slowly, like a flower at the ascending brightness. And they walked unsteadily on, without feeling that they were walking; without feeling anything but that long, grave, mutual gaze which has the solemnity belonging to all deep human passion. The hovering thought that they must and would renounce each other made this moment of mute confession more intense in its rapture. "

― George Eliot , The Mill on the Floss