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" The music I preferred on these excursions were hissy dubbed cassette tapes of Glenn Gould playing Bach in that bludgeoning, affectless style he invented, so remorseless in its inhuman power. The music, turned up all the way so as to be audible over the wide-open windows — the car had no air conditioning — felt a little bit like purgatory, and a little bit like anesthesia, and most of all like the cold rapture of thought struggling to transcend its surroundings. I've never felt as alone as I did in that little box, the hot wind battering my face, cutting through those desolate stretches of big-box stores, passing through the newly built subdivisions that had sprung up on raw pastureland. But sometimes, when the music was high, and the sun was a hot smear at high noon, or you were hurtling down an empty stretch of road at night, you felt the immense power of the car you were driving to propel you beyond yourself and into... Jameson called it the hysterical sublime. "

Wesley Yang , The Souls of Yellow Folk: Essays


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Wesley Yang quote : The music I preferred on these excursions were hissy dubbed cassette tapes of Glenn Gould playing Bach in that bludgeoning, affectless style he invented, so remorseless in its inhuman power. The music, turned up all the way so as to be audible over the wide-open windows — the car had no air conditioning — felt a little bit like purgatory, and a little bit like anesthesia, and most of all like the cold rapture of thought struggling to transcend its surroundings. I've never felt as alone as I did in that little box, the hot wind battering my face, cutting through those desolate stretches of big-box stores, passing through the newly built subdivisions that had sprung up on raw pastureland. But sometimes, when the music was high, and the sun was a hot smear at high noon, or you were hurtling down an empty stretch of road at night, you felt the immense power of the car you were driving to propel you beyond yourself and into... Jameson called it the hysterical sublime.