" We put the dogs in a play and invited the parents, since there was no one else to be an audience. But the pets were poorly trained and failed to take direction. There were two soldiers and a fancy lady we’d dressed in a frilly padded bra. The soldiers were cowards. Deserters, basically. They ran away when we issued the battle cry. (A blaring klaxon. It went hoh-onk.) The lady urinated. “Oh, poor old thing, she has a nervous bladder!” exclaimed someone’s chubby mother. “Is that a Persian rug?” Whose mother was it? Unclear. No one would cop to it, of course. We canceled the performance. “Admit it, that was your mother,” said a kid named Rafe to a kid named Sukey, when the parents had filed out. Some of their goblets, highball glasses, and beer bottles were completely empty. Drained. Those parents were in a hurry, then. “No way,” said Sukey firmly, and shook her head. “Then who is your mother? The one with the big ass? Or the one with the clubfoot?” “Neither,” said Sukey. “So fuck you.” THE GREAT HOUSE had been built by robber barons in the nineteenth century, a palatial retreat for the green months. Our parents, those so-called figures of authority, roamed its rooms in vague circuits beneath the broad beams, their objectives murky. And of no general interest. "
― Lydia Millet , A Children's Bible