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" Inaction is not the same thing as patience. It is instead a kind of perpetual waiting room, a sterile holding pen for unlived desire, a negative sanctuary. You wait and wait, but the receptionist is very stern and, somehow, the appointment book always full. To make matters worse, crowded into the adjoining cell like so many desperate immigrants, and separated from you by nothing more than the thin permeable wall of your own fear, are all the anticipated rejections of your life. You would think it might be noisy in there, but you'd be wrong. It is totally silent. There's a small Plexiglas window through which you can study these things, this silence, if you have the inclination and the nerve. And eventually, if you have been a diligent enough student and not wasted your time in dreaming, you come to understand that it is not the rejections that make this a prison, not the defeats, but rather your own grim expectation of defeat; not life but its bodily outline drawn in chalk, where the body should be but isn't, where it once was, this ingrained cowardly pessimism, this relentless betting against love and instinct. This is where the silence comes from. "

John Burnham Schwartz , Claire Marvel


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John Burnham Schwartz quote : Inaction is not the same thing as patience. It is instead a kind of perpetual waiting room, a sterile holding pen for unlived desire, a negative sanctuary. You wait and wait, but the receptionist is very stern and, somehow, the appointment book always full. To make matters worse, crowded into the adjoining cell like so many desperate immigrants, and separated from you by nothing more than the thin permeable wall of your own fear, are all the anticipated rejections of your life. You would think it might be noisy in there, but you'd be wrong. It is totally silent. There's a small Plexiglas window through which you can study these things, this silence, if you have the inclination and the nerve. And eventually, if you have been a diligent enough student and not wasted your time in dreaming, you come to understand that it is not the rejections that make this a prison, not the defeats, but rather your own grim expectation of defeat; not life but its bodily outline drawn in chalk, where the body should be but isn't, where it once was, this ingrained cowardly pessimism, this relentless betting against love and instinct. This is where the silence comes from.