" No outlines, ever. Well, except for that synopsis my publisher always insists on. But I consider those necessary evils, and when I begin writing I’ve usually forgotten whatever was in them. Hardly ever does a novel of mine turn out bearing any real semblance to those synopses. That’s part of the business of publishing, not a part of the process of writing. But why do I avoid outlines, well that gets back to writing at a sentence level. The story has not occurred until I write it. Only those broad strokes can exist in my mind and possess any inherent validity. “This will be a story set on Mars, and it’s about a woman looking for her lost lover.” That’s the best I can ever hope for, and I’ve learned that, and I don’t try to force anything more detailed. "

― Caitlín R. Kiernan