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" Gilberte had still not come back to the Champs-Élysées. Yet I very much needed to set eyes on her, as I could not even remember her face. When we look at the person we love, our inquisitive, anxious, demanding gaze, our expectation of the words which will make us hope for (or despair of) another meeting tomorrow and, until those words are spoken, our obsession fluctuating between possible joy and sorrow, or imagining both of these together, all this distracts our tremulous attention and prevents it from getting a clear picture of the loved one. Also, it may be that this simultaneous activity of all the senses, striving to discover through the unaided eyes something that is out of their reach, is too mindful of the countless forms, all the savours and movements of the living person, all those things which, in a person with whom we are not in love, we immobilize. But the beloved model keeps moving; and the only snapshots we can take are always out of focus. I could not really say what the features of Gilberte’s face were like, except at those heavenly moments when she was there, displaying them to me. "

Marcel Proust , In the Shadow of Young Girls in Flower


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Marcel Proust quote : Gilberte had still not come back to the Champs-Élysées. Yet I very much needed to set eyes on her, as I could not even remember her face. When we look at the person we love, our inquisitive, anxious, demanding gaze, our expectation of the words which will make us hope for (or despair of) another meeting tomorrow and, until those words are spoken, our obsession fluctuating between possible joy and sorrow, or imagining both of these together, all this distracts our tremulous attention and prevents it from getting a clear picture of the loved one. Also, it may be that this simultaneous activity of all the senses, striving to discover through the unaided eyes something that is out of their reach, is too mindful of the countless forms, all the savours and movements of the living person, all those things which, in a person with whom we are not in love, we immobilize. But the beloved model keeps moving; and the only snapshots we can take are always out of focus. I could not really say what the features of Gilberte’s face were like, except at those heavenly moments when she was there, displaying them to me.