" Turning to the northwest I see the much nearer fires on the hill, like a dwarfish volcano. Vigorous figures mill about the blazes, their shadows hopping and hobnobbing, like island natives beside a night-painted ocean. I might’ve been able to catch the sounds of their carnivalesque revelling if there weren’t so much music and mad gaiety behind me.

Far beyond the hill, the forest ends at the grey northern stretch of moorland with its dead whip of gritty roadway, down which I had seen the Night Hounds. Now, hooded figures trundle the same gloomy way. I wonder, are those druidic forms en route to the fire-capped hilltop? It seems a long way to go. Further north, past that winding road, the watching mountains tower, nigh-entirely disguised against the sky, one ebon peak protruding sharply, resembling an unapproachable pyramid or similar conical fortress. It must be some falsifying angle of light and shadow from the sky which has accentuated that dome in such a way - I well knew that those mountains should seem far smoother, more gentle, not nearly so sharp and craggy as that peak now appeared. "

― , The House of Silence