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" In the night light, the golden Thuluth Arabic calligraphy glittered on the Kisweh, its brilliance enhanced by the velvet blackness of the surrounding silk. I was bewitched by its beauty. With the distortions of Wahabi extremism, beautification of any object was considered an offense, resulting in a Kingdom without ornate decorations, other than repetitive geometry which peppered public walls and even highway underpasses. Anything else was considered futile vanity by Wahabis, but at least the Wahabis had not eroded what seemed the final remaining evidence of Islamic craftmanship: unparalleled calligraphy. For the first time in the Kingdom, I appreciated beautiful Saudi craftmanship. "

Qanta A. Ahmed , In the Land of Invisible Women: A Female Doctor's Journey in the Saudi Kingdom


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Qanta A. Ahmed quote : In the night light, the golden Thuluth Arabic calligraphy glittered on the Kisweh, its brilliance enhanced by the velvet blackness of the surrounding silk. I was bewitched by its beauty. With the distortions of Wahabi extremism, beautification of any object was considered an offense, resulting in a Kingdom without ornate decorations, other than repetitive geometry which peppered public walls and even highway underpasses. Anything else was considered futile vanity by Wahabis, but at least the Wahabis had not eroded what seemed the final remaining evidence of Islamic craftmanship: unparalleled calligraphy. For the first time in the Kingdom, I appreciated beautiful Saudi craftmanship.