" The shabbiness, even embarrassment, of Hazel Scott playing 'concert boogie woogie' before thousands of white middle-class music lovers, who all assumed that this music was Miss Scott's invention, is finally no more hideous than the spectacle of an urban, college-trained Negro musician pretending, perhaps in all sincerity, that he has the same field of emotional reference as his great-grandfather. the Mississippi slave "

― Amiri Baraka , Blues People: Negro Music in White America