" Authors like Shakespeare and Goethe have glorious monologues that flood the theater with words. This endless verbalizing is a lie. This perfect harmony between heart and tongue exists only on a stage. I wanted to use language realistically to dramatize the tension that arises when the correspondence between feelings and language breaks down. Even Brecht swindled when it comes to language. His peasants speak more intelligently and more beautifully than any university professor.
I wanted to smash this convention of stage language. I do not believe that people can heave their hearts into their mouths and speak their inner torments trippingly on the tongue. Language should not be the central element in drama. Language exists only on the surface of our consciousness. The great human struggles are played out in silence and in the inability to express oneself. Language should have the same function in the theater that it has in reality. "

― Franz Xaver Kroetz